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inés thiebaut

Blog posts : "Press"

Feature in "The Utah Review"

The Utah Review, on the upcoming premiere of my chamber piano concerto:

Unconventional pairings, old and new, highlight NOVA Chamber Music Series' Bach and New Horizons.
A great read by Les Roka!

 More information on the concert, HERE.

Happy Spring everyone!

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my music featured in the Lexical Tones Podcast!

The Lexical Tones Podcast, hosted by Robert McClure, offers a weekly conversation with a guest composer, performer, and/or artist creating new works of contemporary art/music. Each creative supplies three adjectives about their work or themselves, and Rob tries to discover additional connections through discussion and listening examples (several complete compositions). These conversations often focus on aesthetics, technique, process, meaning, perception, and the musical origins of the featured guest.

You can listen to the new episode (in which I am featured) HERE

Please subscribe to the Lexical Tones Podcast on iTunes or find them on Soundcloud and Stitcher to get new episodes as soon as they are released. 

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In the press...

This is a bit late, but I'm pleased to share that I was featured, along with fellow GC composition student Elizabeth Adams and GC Faculty member Dr. Jeff Nichols in The Wall Street Journal for our participation in a concert at the Tenri Cultural Institute on Saturday, October 17th, 2015. Part of the “Anti-Capitalist Concert Series” founded by GC composer Elizabeth Adams and composer Julie Harting, the theme of income-inequality was the point of inspiration for each new composition. The article, entitled “Turning Wonky Economic Graphs into Chamber Music,” delves into the specific inspirations behind each new work, including quotes from the composers and photos from the event. The concert featured the Cadillac Moon Ensemble performing, as well as a discussion led by Chad Kautzer, a professor at the University of Colorado, Denver.

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De Anima Review

"La Jornada" newspaper from Dec 1st, 2012


"[…] la obra De Anima, de Inés Thiebaut, muy sólida en sus juegos tímbricos y en la diferenciación (tanto sónica como estructural) entre lo de metal, lo de madera y las membranas. Inteligente y refinado uso de los cuencos metálicos y del motor del vibráfono por parte de la compositora."

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RNE - Radio Clásica

The radio program Música Viva, from the Spanish Radio Clásica, broadcasted my piece Apocarpous II - For fl., clr., vio., gtr., and perc. Performed by The Espirales Ensemble, from Mexico on October 22nd, 2010, in the National Auditorium of Madrid; a concert part of the festivals Mare Nostrum (Portugal) y Puentes (México), and Tres cantos (Spain).

Podcast of the entire concert HERE.

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